<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Gerd Bloxham Zettersten &#8211; Kulturlandskapet</title>
	<atom:link href="https://www.kulturland.se/forfattare/gerd-bloxham-zettersten/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.kulturland.se</link>
	<description></description>
	<lastBuildDate>Sun, 31 May 2026 11:52:14 +0000</lastBuildDate>
	<language>sv-SE</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://www.kulturland.se/wp-content/uploads/2023/11/logo-ikon-vektor-1-36x36.png</url>
	<title>Gerd Bloxham Zettersten &#8211; Kulturlandskapet</title>
	<link>https://www.kulturland.se</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">225652089</site>	<item>
		<title>Architectural Competitions &#8211; as Institution and Process</title>
		<link>https://www.kulturland.se/produkt/architectural-competitions-as-institution-and-process/</link>
		
		<dc:creator><![CDATA[Cecilia Wingård]]></dc:creator>
		<pubDate>Tue, 18 Oct 2016 07:34:59 +0000</pubDate>
				<guid isPermaLink="false">http://www.kulturland.se/?post_type=product&#038;p=2993</guid>

					<description><![CDATA[This book revolves around four key concepts: architectural competition, institution, process and adjustments of contemporary competition structures. They characterise the contemporaneous status of architectural competitions in the second decade of the new millennium. A closer look brings out five typical aspects that describe an on-going process of adjustments that is taking place in contemporary European architectural contemporary competitions in architecture and urban design. The conclusion is that these adjustments in the competition as institution and process reflect new conditions in the structure of architectural competitions that applies design to both clients and architects as a profession.

The modern architectural competition is an institution within architecture and urban design going back one hundred and fifty years in Europe that has been recreated in new practice with the help of rules, traditions and organisations. Both organisers and competing architects and their professional organisations contribute to the preservation of the competition as institution and process. The anthology includes selected papers from: Jonas E. Andersson, Gerd Bloxham Zettersten, Carmela Cucuzzella, Silvia Forlati, Michel Geertse, Pedro Guilherme, Antigoni Katsakou, Kristian Kreiner, Beatrice Manzoni, Magnus Rönn, Hedley Smyth, Justas Pipinis, Leentje Volker and Leif Östman.

You can read more about the project (in swedish) <a href="https://www.kulturland.se/portfolio/tavlingar-i-arkitektur-och-samhallsbyggnad/">here</a>, and download a low-resolution pdf <a href="https://www.kulturland.se/wp-content/uploads/2016/10/Architectural2-low.pdf" target="_blank" rel="noopener">here</a>.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2993</post-id>	</item>
		<item>
		<title>Architectural Competitions – Histories and Practice</title>
		<link>https://www.kulturland.se/produkt/architectural-competitions-histories-and-practice/</link>
					<comments>https://www.kulturland.se/produkt/architectural-competitions-histories-and-practice/#comments</comments>
		
		<dc:creator><![CDATA[Annika Östlund]]></dc:creator>
		<pubDate>Tue, 30 Sep 2014 11:08:34 +0000</pubDate>
				<guid isPermaLink="false">http://www.kulturland.se/?post_type=product&#038;p=1388</guid>

					<description><![CDATA[Architectural competitions are no longer simply professional praxis for architects, organizers and a recurrent exercise for students at schools of architecture. The competition has also turned into a field of research, and this book is part of an effort constituting the architectural competition as a field for studies with scholarly claims. The first doctoral dissertations on competitions were presented in the 1990s in Europe. Another clear manifestation of research interest is the growth and spread of scholarly conferences on architectural competitions.

To be in the position of presenting accounts that are exciting as well as instructive and informative on the subject of architectural competitions is a pleasure. The contributions to the book show in a convincing way that the architectural competition is an interesting and rewarding object for research. The competition processes bear rich empirical findings to which one may refer for knowledge about architecture as professional practice, as educational subject and research platform. The architectural competition illustrates processes of change in society that are technical and organizational as well as social; it shows up constructive dilemmas, the borderline of rationality and the relative, creative insecurity of knowledge production in architectural projects.

You can read more about the project (in swedish) <a href="https://www.kulturland.se/portfolio/tavlingar-i-arkitektur-och-samhallsbyggnad/">here</a>, and download a low-resolution pdf <a href="https://www.kulturland.se/wp-content/uploads/2017/10/Architectural-competition-130524.pdf">here</a>.]]></description>
		
					<wfw:commentRss>https://www.kulturland.se/produkt/architectural-competitions-histories-and-practice/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1388</post-id>	</item>
	</channel>
</rss>
